This was a terrific year for non-fiction in Quebec. The coup came with the festival's closing film, the world premiere of 'Over My Dead Body' directed by multimedia artist Brigitte Poupart. It spans the harrowing 18 months during which Montreal choreographer Dave St-Pierre, stricken with cystic fibrosis, awaits a lung transplant.

• Une Bouteille D'eau
• Une Bouteille De Vin

Une Bouteille a la Mer.avi Torrent Download Locations Click the yellow ' Download ' button on the right to download the.torrent files directly from the indexed sites. If there is no 'download' button, click the torrent name to view torrent source pages and download there. Jerusalem and Gaza - less than a hundred kilometers separate the two cities; home to Tal, a 17 year old recent.

Film sorti en 1999. 1999 American romantic drama Warner Bros.film directed by Luis Mandoki.

Despite its heavy subject, it doesn't fall into unnecessary pathos. We witness the genuine bond that forms between Poupart and her subject, and the cruel, complex science of organ transplants. The movie's jerky storytelling, asymmetrical split-screen sequences, and quiet candor mirror the choreographer's style.

There's a lot of nudity in the film, as in St-Pierre's work, but it's not titillating. It seems more a means to depict mortality's unkempt, brutal form. 'Over My Dead Body' isn't hitting the festival circuit, but it'll be shown in English at MoMA on March 17 and 18 as part of the Canadian Front program.

Another powerful documentary is 'The Vanishing Spring Light,' by Xun 'Fish' Yu. It's the allegorical portrait of Dujiangyan City in southwest China—home to the oldest irrigation system, a UNESCO site—by way of Grandma Jiang.

Une Bouteille D'eau

While her neighborhood is on the verge of a massive gentrification, Grandma Jiang is slowly dying of the after-effects of a stroke. The movie has several long takes of frank discussions with Grandma and her children, who help her as her health deteriorates.

'The Vanishing Spring Light' provides breezy snapshots of the community, getting on with their daily routines, well aware that that their lifestyle is on the cusp of extinction. The film is the first in a four-part series about this now-refurbished neighborhood.

The second movie is due out in 2012. 'El Viaje Silencioso' ('The Quiet Ride') also deals with displacement, this time on the U.S./Mexico border. Director Marie-Eve Tremblay travels between Agua Prieta and Douglas, AZ, through the long stretch of desert that connects both, just beyond the border walls. The title refers to how quietly Mexicans must cross the desert on foot to migrate to the U.S.

Without papers. The journey takes days and people have died of heat stroke or dehydration on the way. The unforgiving irony is that because the U.S. Economy thrives on cheap labor, this stretch of desert remains mostly unguarded.

What distinguishes El Viaje from most documentaries about hotly debated political topics is the lack of 'expert' opinions. Instead, Tremblay focuses on those most affected by the U.S.' S imbalanced immigration laws: the people who want to immigrate, and the activists who help them do it or help them cope when it doesn't work out. 'There's lots of racism once you get to America,' says one anonymous Mexican, summing up how he experienced the better life he chased. Experimentation is a big part of Quebec cinema's DNA, but that doesn't make it any less accessible to the masses. 'It used to be that Quebec only produced auteur movies,' says RVCQ program director Dominique Dugas.

'In the 2000s, we created that balance between films that were both artistic and crowd-pleasing.' So don't flinch when you see Oscar-nominated ' and non-narrative 'Square Dance Hypnotist' on the same ticket at the RVCQ. Quebec's culture might be rooted in French, but its cinema is all over the place.

Une Bouteille De Vin

First off, those who gave this film a low rating clearly fell asleep during the previews- or were blinded by the CGI effects from the Spiderman prequel. 'Une Bouteille a la Mer de Gaza' is nothing short of what my generation has felt from the beginning. The young wanting better, the old unable to move on from an era no longer existent. It is a story of two opposites. A teenage girl living in Israel, and a boy living in Palestine. The thought of people from both countries befriending one another is unimaginable considering the circumstances and years of war and rivalry- yet it happens. Tal is constantly questioning why they are at war.

Naim is resentful. At first, Naim is skeptical about communicating with Tal, blaming her people for the atrocities taking placing in his country, teasingly nicknaming her 'Miss Peace'. As time goes along, Tal experiences what every teen goes through- first piercing, first love. Bomb attacks occur on both sides. At what point Naim is forced to remain indoors keeping his family in shelter at his home.

Tal grows worried when she hasn't heard from him in a week. Somehow the confused youths connect- not only through teen angst, but the tragedy of having to put up with what is caused by the older generations. The young want better, yet the old can't seem to change. Also, we see the importance of education, and how connections made do change our lives. The final scenes being breathtaking- as Naim is about to leave for his scholarship in France, Tal eager to meet him, they cross paths for a brief second. The acting is superb, the story is slow-paced but written in a realistic fashion. No matter which country you're from, the storyline speaks what every Gen-Yers has been thinking.

As Naim tells her, 'Don't change, Miss Peace. It's the people who must change.' A soldier is seen throwing a bottle into a beach area. As it turns out, it is not an ordinary empty bottle. Inside there is a letter from his sister.

All she wants to know is if it is found, and where. She is Tal Levine, a Jewish teenager living in Jerusalem.

She has made a web page in order to correspond with whoever finds the bottle and reads the message. Tal had written about things that concern her, as a person, and the circumstances that brought her to Israel. As fate would have it, Naim, a Palestinian, living in Gaza is the one who finds the bottle. He immediately contacts Tal about his discovery. Naim is living in one of the most dangerous parts of the world, where an old conflict keeps him, and his people in an absurd situation. The interaction between Tal and Naim develops into a friendship which neither one can do a thing to overcome.

Directed by Thierry Binisti, who co-wrote the screenplay with Valerie Zenatti, the film is an anti-war statement about people caught in different sides, but who long for lives that will fulfill them, living freely away from strife and war. A small film with a message for the people on either side of the fighting. The majority of cinematic subject fare on this topic being documentary: Think 5 Broken Cameras, Where do Birds Fly?, Tears of Gaza? - all excellent in their own right, but extremely difficult, if necessary, to watch. Films like this wonderful modern teen email love story in one of the most highly charged tension filled moral quandaries of our age are necessarily important as they humanize the Palestinian/Israeli conflict. You feel for the characters, you feel the suffocating grip of the Israeli 'effective control' control over Gaza and the 'collective punishment' dealt upon the population when rockets are launched at Israel.

Pretext is not presented, nor is it necessary. This is a much deeper narrative that attempts to touch on the eternal prospects of human relations, conflict resolution in the age of laser guided weaponry and most importantly, the ease with with love emerges in spite of, or precisely due to the lack of the specific historical and idealogical narratives that have driven this conflict for 60 years. Omar, and now, Bottle, are refreshing and sublime. We get to know at least one family with a girl morally searching and a boy in Gaza who answers the message in a bottle that changes both their lives forever.

A wonderful film about a young Jewish girl from France, now living in Jerusalem, who persuades her brother (who is in the Israeli army) to throw a bottle with a message into the Gaza Sea which includes her e-mail address. To her surprise a young man living in Gaza replies to her and the film follows both her story and the young man. It's a remarkable film about two young people divided by war who gradually come to understand each other. We see the complexity of the political situation on both sides of the divide and it gives the viewer a very realistic idea of how tragic the situation is for both sides. A truly excellent film. Pure propaganda to please the large Muslim population in France, and also the socialistic aspirations of this country.

Plus, artistically, the movie is one of the worst I have ever seen. But, I am not surprised. French movies are most of the time worst than mediocre: screen directors, actors, settings, dialogues, etc. And I am not surprised it has a 7.2 users' review.

They must be French and / or Muslims who love to see a Jew having a relationship with them. It arouses their pride and self-esteem. Additionally, the movie doesn't tell the truth. It rarely happens that Jews and Muslims interact.

It can happen of course, but rarely. Also, a Palestinian, where it's so dangerous for a Jewish woman to go? What about, the guards who secure the border between Gaza and the West Bank and Israel?

They would have noticed the Israeli Jew and wouldn't let her pass. It was the same when a Jewish Israeli citizen wanted to visit Egypt from Israel. They couldn't pass before! Last, the description about checking, and security enforcement by Israelis has only one purpose: to demonize Israel and attract sympathy to the Palestinians. This, France loves it.